EDGAR BRANDT (1880-1960)
GINKGO, A MATCHED PAIR OF TABLE LAMPS, CIRCA 1925
wrought-iron stems with openwork leaves, supporting alabaster shades
23 in. (58.5 cm.) high. Attributed, unsigne
AMERICAN POST-MODERN BRONZE AND PARCHMENT TABLE LAMP by California-school architect COY HOWARD, 1984
Height: 19½in., Width: 20in. , Depth: 8¾in.
French Art Deco double-armed table lamp in wrought iron, with two yellow acid-etched glass shades, from c. 1925. Iron base numbered and stamped with indistinct signature, and shades signed Daum Nancy with cross of Lorraine.
A French Art Deco Wrought Iron Table lamp, signed
E. Brandt, from c. 1925. with an alabaster shade.
Jean Perzel
Chromed-metal table lamp, circa 1930, concealing an inverted bell-shaped frosted glass shade, with the base inscribed Perzel
height 22in (55.8cm); diameter 16 1/4in (41.2cm)
Edgar BRANDT & DAUM NANCY
French Art Deco pair of table lamps, with pierced spherical wrought iron bases and decorated with garland of mistletoe. Marbelized glass shades with orange and green tones, c. 1925 Similar model reproduced in: Joan Kahr, “Edgar Brandt, Master of Art Deco Ironwork”, Harry N. Abrams Inc. Publishers, New York, 1999, p. 114.
EDGAR BRANDT (1880-1960)
GINKGO, A MATCHED PAIR OF TABLE LAMPS, CIRCA 1925
wrought-iron stems with openwork leaves, supporting alabaster shades
23 in. (58.5 cm.) high. Attributed, unsigne
Fanny Rozet (French, 1881-?) Art Deco Figural Lamp representing a draped nude bronze figure with 2 pate-de-verre shades most probably by Walter Almaric. Born in 1881 in Paris, Fanny Rozet was among the few women artists and an important member of the “Evolution Group” — an Avant-garde group of French sculptors, ceramicists and metal workers working in Paris in the 1920’s.
24in. (61cm.) high, 24in. (61cm.) wide, 7in. (18cm.) deep
