Description
Place of Origin
France
Date of Manufacture
1930's
Period
1930-1939
Materials and Techniques
Gilt, Bronze
Other Characteristics
gilded and patinated bronze
Condition
Good
Dimensions
8in.Hx11in.Wx8in.D
20cmHx28cmWx20cmD
$5,000.00
Cast bronze wall-sconces
1 in stock
Place of Origin
France
Date of Manufacture
1930's
Period
1930-1939
Materials and Techniques
Gilt, Bronze
Other Characteristics
gilded and patinated bronze
Condition
Good
Dimensions
8in.Hx11in.Wx8in.D
20cmHx28cmWx20cmD
Marius Ernest Sabino
French Art Deco Wall Sconces in clear and frosted molded glass mounted in a brushed nickel frame, 1930’s, 19″ High x 9″ Length X 7″ Depth
Large pair of one-armed Art Deco wall sconces with bronze bases surmounted by golf-ball shaped frosted glass shades, by Genet et Michon, c. 1930
Pair of French Art Deco wall sconces by “Lorrain” (signed, Lorrain is the name used by the Daum company for their pressed glass production)
SABINO
Clear and frosted glass wall sconces molded with a chrysanthemum motif, in a gilded bronze frame.
Signed “Sabino Paris”and numbered
Circa 1920
A set of five sconces available, two pairs and one double-shade sconce.
Single wall lamps : H:8 in., L: 8 2/3 in., D: 5 in.
Double wall lamp : H:8 in., L: 16 ¾ in., D:5 in.
Verrerie D’Art Degue
French Art Deco Wall-Sconces, 1930’s
Clear and frosted glass shades molded with a floral motif and mounted in a brushed nickel frame.
Height: 13.5” Width: 3.5” Depth: 2”
French Art Deco Wall Sconces by Genet et Michon, c. 1928
with clear and frosted glass slip shades molded with a geometric motif and mounted in stepped silvered bronze frames.
Height: 18 in., Width: 6 in., Depth: 4 in.
A set of 2 pairs is available.
Maurice DUFRESNE (1876 – 1955)
Pair of one-armed gilded bronze wall sconces with glass shades molded with a stylized floral pattern, 1920’s.
A rare pair of sconces in gilded brass with clear and frosted glass inserts and frosted shades. Ref: Period illustration as displayed inside the paquetbot “Cambodge” 1952, in “Leleu: Decorateurs Ensembliers” by Francoise Siriex.